Sansa has a certain muted reaction to some things, for sure. I don't know if it makes her false as a character, GRRM doesn't seem to gloss over it IMO, though it's not all that overtly engaged either. But there is something kind of distant when she says, for example, "And now the world would forget his name too, Sansa realized; there would be no songs sung for him. That was sad." I mean, she was a little desensitized or somesuch before her traumas.
But what I think GRRM is doing with Sansa and Bran is kind of relating them to kids who intake stories today, and are desensitized to the actualities of the horrors in the stories, but are rather more concerned with the sensationalism in them.
There is a scene where Bran asks a story from Old Nan:
“I could tell you the story about Brandon the Builder,” Old Nan said. “That was always your favorite.”
Thousands and thousands of years ago, Brandon the Builder had raised Winterfell, and some said the Wall. Bran knew the story, but it had never been his favorite. Maybe one of the other Brandons had liked that story. Sometimes Nan would talk to him as if he were her Brandon, the baby she had nursed all those years ago, and sometimes she confused him with his uncle Brandon, who was killed by the Mad King before Bran was even born. She had lived so long, Mother had told him once, that all the Brandon Starks had become one person in her head.
“That’s not my favorite,” he said. “My favorites were the scary ones.” He heard some sort of commotion outside and turned back to the window. Rickon was running across the yard toward the gatehouse, the wolves following him, but the tower faced the wrong way for Bran to see what was happening. He smashed a fist on his thigh in frustration and felt nothing.
“Oh, my sweet summer child,” Old Nan said quietly, “what do you know of fear? Fear is for the winter, my little lord, when the snows fall a hundred feet deep and the ice wind comes howling out of the north. Fear is for the long night, when the sun hides its face for years at a time, and little children are born and live and die all in darkness while the direwolves grow gaunt and hungry, and the white walkers move through the woods.”
“You mean the Others,” Bran said querulously.
“The Others,” Old Nan agreed. “Thousands and thousands of years ago, a winter fell that was cold and hard and endless beyond all memory of man. There came a night that lasted a generation, and kings shivered and died in their castles even as the swineherds in their hovels. Women smothered their children rather than see them starve, and cried, and felt their tears freeze on their cheeks.” Her voice and her needles fell silent, and she glanced up at Bran with pale, filmy eyes and asked, “So, child. This is the sort of story you like?”
“Well,” Bran said reluctantly, “yes, only . . . ”
Old Nan nodded. “In that darkness, the Others came for the first time,” she said as her needles went click click click. “They were cold things, dead things, that hated iron and fire and the touch of the sun, and every creature with hot blood in its veins. They swept over holdfasts and cities and kingdoms, felled heroes and armies by the score, riding their pale dead horses and leading hosts of the slain. All the swords of men could not stay their advance, and even maidens and suckling babes found no pity in them. They hunted the maids through frozen forests, and fed their dead servants on the flesh of human children.”
Her voice had dropped very low, almost to a whisper, and Bran found himself leaning forward to listen.
I think it's about that too. And judging by fandom's reactions to many of the greater losses and atrocities in the series, I can't say it's an entirely inappropriate message, if you'll pardon the preachy overtones of such a statement.
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Date: 2009-03-12 10:28 pm (UTC)But what I think GRRM is doing with Sansa and Bran is kind of relating them to kids who intake stories today, and are desensitized to the actualities of the horrors in the stories, but are rather more concerned with the sensationalism in them.
There is a scene where Bran asks a story from Old Nan:
I think it's about that too. And judging by fandom's reactions to many of the greater losses and atrocities in the series, I can't say it's an entirely inappropriate message, if you'll pardon the preachy overtones of such a statement.